Posts Tagged ‘Shinano River’

More Views of Niigata

March 8, 2011

Gather ’round and see a few more pictures of Niigata! In case there’s any confusion, my explanations appear under the photos they’re about, not above.

Niigata Station

Not a lot of explanation needed here that the caption doesn’t provide. It’s the main train station in Niigata.

Bus boarding area in front of Niigata Station

Likewise here. I don’t think I’ve ever seen that crosswalk without a crowd of people on it.

The type of bus I typically ride

This is in the area between the station and Bandai City. (Bandai City is a section of Niigata, not a separate city. I was confused about that when I first arrived.) The buses I ride to and from the university are that color.

Looking toward the station

I’m going to get fired as a commentator! No “color” to add on this one, either! It will be more interesting when Chris adds the monsters with his digital vandalism.

Bandai Bashi: "The Bridge of Ten Thousand Generations"

Okay. Back in the early sixties, during the Great Niigata Earthquake, all the other bridges collapsed, but Bandai Bridge stayed intact, ever standing astride the flood of the Shinano. This is one symbol of Niigata. Tourists come to see this bridge. There used to be a fantastic pub, the Kirin Bandai Beer Hall, diagonally opposite (across the river) from where I stood to take this picture. It had ivy-framed windows overlooking the river, and you could gaze out on the night view of the bridge, lighted with golden lights, as you quaffed your Kirin or your Guinness. Closing that place down is one of the five worst things the city has ever done. Now an apartment building stands there.

I more often see it from this side.

This is looking across from the Okura Hotel side toward the Bandai City side.

The Anastasia

Sightseers can ride this boat up and down the river on dinner cruises. I always find it somehow comforting when the Anastasia chugs past me. (Its name, you know, means “Resurrection” in Greek.) I’ve always fantasized about jumping off one of the bridges onto its roof as it passes beneath me. I’ve never done it, because I’m not sure what the next step would be. Rescuing the girl, I suppose. But what if there wasn’t a girl on board?

Yasuragi-Tei, a park on the bank of the Shinano River

In my younger days, I spent a LOT of time on this riverbank — reading, writing, viewing cherry blossoms in season, playing catch with friends, lighting fireworks (which are perfectly legal here!), practicing my trombone . . . I even set up a tent one night and camped here! (I was only 23 or so — the age at which you do stuff like that.) I remember a few curious senior citizens peering in through the mosquito mesh early the next morning. I only did that once . . .

Little waterfall in Hakusan Park

Very peaceful place. In this park, there is a cage full of big grayish-brown monkeys of the type that inhabit the mountains of Japan and sometimes compete with guests for space in the outdoor hot-spring baths. Well, once about ten or fifteen years back, the monkeys escaped and climbed high up into the park’s trees. Just at that time, Niigata City’s official monkey-wrangler was away in Africa. So it fell to the city employees to deal with the situation. There were a lot of guys from the city hall, all in conservative suits, ties, and wingtip shoes, clambering around through the park, trying to coax the monkeys down from the trees. The monkeys sat up there laughing for about three days, beaning their pursuers on the heads with pine cones. Eventually they came down to eat and went back into their cage.

Pond in Hakusan Park

My parents visited this park. I remember reading a lot of the book Shiokari Pass here, and it was one of my haunts during my first few years in Niigata. The park was another place I came to think of writing ideas and to write. The glimpse of bright red you see is the main front torii gate of the park and shrine.

Directions and hours

This stone bench has a central dial engraved with the ancient Chinese symbols for the compass directions. Here are also the hours of the day. I always liked hearing of the Hour of the Ox, the darkest, deepest part of the night, when ghosts appear.

Scenic footbridge over the pond

This bridge is covered with wisteria vines. When the pale purple flowers bloom, the bridge has a living, fragrant ceiling and walls.

Famous tree (I think)

I’ve heard that this tree is a national treasure of Japan, being of profound age. I think I have the right tree.

Guardian dogs at Hakusan Shrine

These dogs guard the entrances of Shinto shrines. Notice the mouths of the dogs. This one is open, forming the syllable “a.”

"A" and "N"

His companion has a closed mouth, forming the sound “n.” In the Japanese syllabary, “a” is the first sound and “n” is the last. So the dogs are mouthing the equivalent of alpha and omega, an all-encompassing circle.


The shimenawa is the woven grass rope that hangs on the torii. And smaller versions hang in the entranceways of the homes of Shinto practitioners. The shimenawa prevents evil from entering. On New Year’s Eve, a great bonfire is built here at the shrine, and people bring their old shimenawa and toss them into the flames. People skewer dried squid on long sticks and roast them over the fire, then gnaw on them (it’s like beef jerky, only squid-flavored). And new shimenawa are hung to replace the old.

First plum blossoms, Hakusan Park

Here’s a stone lantern, or tourou. The monkey cage is just behind me and to my left. The monkeys were hiding up on the roof of their inner sanctum that day, and I couldn’t get a decent picture.

First plum blossoms, Hakusan Park

The first plum (ume) blossoms are a sign that spring is indeed coming.

Site of Dead Poets Society meetings

Yes! The first few years I was in Niigata, I convinced a group of friends (church members and adult students) to come with me out into the pine woods on Midsummer’s Eve, and by flashlight beam, we each read aloud a poem or two we’d chosen for the occasion. This is the actual site of one of our meetings. (We also did that on a camping trip to Sado Island one summer, in a spider-haunted grove.)

The Matsubayashi

Maybe you remember that my friends had a black cat named Pucca. This is where we found Pucca as a newborn kitten, alone and abandoned in the brush, crying and crying. Pucca had a long and happy cat life, but we always wondered about her . . . a jet-black cat, found in the dark woods on Midsummer’s Eve. And she would attack the Bible, biting its pages, but not other books. (Her name was chosen because I had read a poem that night featuring the pooka or pucca from Irish folklore. The name stuck.) We found her near the top of this staircase.

My first apartment, Mezon Matsunami

This is where I lived when I first came to Niigata. That was my place on the corner, where that sign is, just above the garage. If anyone remembers the first newsletters of mine — this is where they were written. I was still living here when I started Dragonfly, though much of it was also written at my friends’ place and in Taylorville. Across the street are some houses, then the pine woods, and then the sea. I remember when there would be a storm at sea with high winds, afterwards there would be sand in my apartment.

Niigata City Hall

Niigata City Hall.

A castle near the sea

I hung out in this park, too, back in 1989-92 or so. It’s between the pine woods and the sea.

Historic stairway

This stairway is historic only to me — on it, and in the park and woods around it, I read Algernon Blackwood, Ambrose Bierce, H.P. Lovecraft, and wrote most of A Green and Ancient Light.

The violent Sea of Japan

It was cold the day I took this picture. Somewhere over there is mainland Asia.

Nozomi Lutheran Church

This is where I served as a lay missionary for my first few years in Japan, through the Overseas Volunteer Youth Ministry program, teaching English in classrooms on the second floor. I also taught one day a week at Niigata High School and one day a week at Niigata University. The church’s appearance has hardly changed a bit in all these interposing years.

Niigata High School

Niigata High School. My task was to come into the classroom and correct any mistakes I found in the English sentences the students had written on the chalkboards before class. That was one of my favorite jobs in all the years. It was regimented like a military unit — the boys all in black uniforms with gold buttons, though the girls were allowed to dress however they wanted (because when the school began, it was only for boys . . . so the dress code was never added for the girls, although in my day, it was about half boys and half girls). At various times I would privately ask a student, “Doesn’t it . . . you know . . . bother you that the boys have to wear uniforms and the girls don’t?” Invariably the student, whether male or female, would blink in confusion and say, “Well, no.”

The desks were all in rows, and the teacher stood on a raised platform. At the beginning of class, all the students would stand up, and at the command of their class leader, would all bow to the teacher (and I would bow back). They worked very, very hard. It was probably the best high school in the prefecture then (may still be), and the students were striving to pass the rigorous college entrance exams which have an enormous influence on the future of a person in Japan.

The room was packed with desks and people — no place to stand except on the platform. When they would have a space cleared for the arrival of the heating stove in the late fall, before the stove got there, I would always joke “Oh! You’ve finally made a space for me to stand! Thank you!” The students loved that. I wasn’t that much older than the kids in those days, so the girls would blush and whisper and giggle and drop pencils when I came into the room or passed nearby.

Part of my job, too, was to suggest alternative ways to say certain parts of the sentences, and the students would eagerly copy those down. But I always had to watch the Japanese teacher, who stood at the back. There were ways that we actually say things in the States that would have been marked wrong on a Japanese college entrance exam. If the teacher gave me a shake of the head, I would say “Wait! Cancel that!” and the students would smile and note that they’d just learned some “forbidden” English.

Finally, trees

There’s just one thing left to say in this post. You may have been wondering about the nostalgic tone of the last couple entries here. There’s a reason for that. After twenty-two years in Japan, I have made the decision to relocate to my homeland.

There’s no calamity, no scandal — it’s just time. Nor is it sudden: this is a decision I’ve been feeling my way toward for close to ten years. The little signs and “nudges” have been steadily accumulating, and . . . well, it’s just, as I said, time. Leaving here is extremely difficult, but I am convinced I’m doing the right thing.

I am returning to the States two days from now. It may be a little while before I can post again, so please be patient. And be assured that, Lord willing and I have safe travels, the blog will most certainly continue. There will be new adventures to chronicle, new points to discuss as the writing life goes on!

I appreciate your prayers for fair winds and happy journeys.


Some Views of Niigata (And a Couple of Tokyo)

March 1, 2011

The prefecture office here in Niigata has a great observation deck on its highest floor. I took my camera up there on a sunny morning last week.

Chitose Great Bridge

That part of Niigata surrounded by water — the river, the canal, and the sea — is referred to as “Niigata Island.” That’s the part I lived and worked in when I first came as a volunteer with the Lutheran church. Here, you can see the heli-pad in the foreground. When dignitaries visit Niigata, they are often flown in by helicopters that land here. I cross this bridge a lot in my daily life.

Looking across the Shinano River toward the Sea of Japan

Niigata Island again. Can you make out the faint bluish outline of Sado Island on the horizon? I’m not sure if I can, or if it’s wishful thinking. Obscured by buildings in the left half of the picture, the Sekiya Canal connects the river with the sea. The sea-mouth is in about the top center of the photo.

Facing downstream; the Shinano flowing toward the sea

My stomping grounds. The Furumachi area is to the left of the river, and Bandai City is straight ahead on the right side.

Sado Island in the hazy distance

Or else wishful thinking. Sado is really clear on some days and invisible on others. Maybe it’s not always there!

The little holt at the foot of the prefecture office

When I take the bus to the university, I walk right through the middle of this little woods and then cross the bridge you saw in the first photo. Although this was taken in late February, the trees are vibrant in the warmer seasons. I always think of the path through them as “the Shire.”

A green and ancient corner -- idea place

Down there where the driveway makes a corner against the woods is one of my old places from my first couple years here. For some reason, I chose that spot to park my bicycle, and I remember scribbling notes there for what become A Green and Ancient Light, which I conceived as a dictionary cataloguing my childhood, including things that really were and things that were imagined, and making no distinctions between them. I’d like to re-do that book someday and get it into a form that’s actually publishable. It has possibilities.

Looking toward my place

See the distant tower in the top center? Okay, just beneath that is the line of the bullet train tracks. And just below those, straight down from the tower, see the next big building? That’s the movie theater complex I go to, about a five-minute walk from my apartment. On the horizon to the left of the tower, see the thing that looks like a giant clam or a landed alien spacecraft? That’s Big Swan, the soccer stadium.

Mt. Yahiko and Mt. Kakuda

We’re looking more or less south here. I’ve climbed both those mountains: Kakuda once, Yahiko many times.

The idea corner again

This is a closeup of that woody corner beneath the prefecture office.

Niigata Prefecture Office

And this is looking up from there at the office building.

From beyond the holt

This reminds me of a medieval castle rising from the woods.

Near my place

Here’s a street I pass along every day. The green building on the right is the veterinary clinic where I took the injured duck that time. The Cupid supermarket is just to the left. The big building right behind the clinic is where my good friends live.

Very significant table

No other table is more important to the writing and all other projects I’ve done in the past two decades plus! Hallowe’en jack-o’-lanterns were perennially carved here (until I started going to World Fantasy Conventions at that time of year). D&D metal figures were painted here, and D&D was played. Uncounted lessons have been prepared here. And stories and books, from the first to the most recent — this has been the primary writing place. I always seem to work better at a kitchen table than at a desk. The chair where I typically sit is that one closest to the coffeepot.

Post office at the West Gate

Here’s the little post office outside the West Gate of Niigata University. I always think of it as my “lucky post office,” since manuscripts sent from there seem to fare better with editors than those sent from other places. But that may simply be my imagination . . . the fact is, I’ve used this post office more than any other over the years. I’ve lived in different parts of the city, near other post offices, but mailing things from the university has been more or less a constant.

Approach to the building where I teach

I love this gap in the trees between the parking lot and the building where my classes are taught.

Sunny bank of the parking lot

Nice setting, huh? The trees are often full of crows that caw loudly, ransack the garbage, and will try to mooch food from anyone eating outdoors. I had one hop up and stick his beak into the top of my tote bag one day to see what was inside. Also, these trees rain down a brown powder at a certain time of year that coats all the cars in the lot.

Niigata University, very early spring

Sometimes I take the path through these trees; sometimes I take the path that goes around them.

Plastic food

Japan abounds with highly realistic-looking plastic food. These are models in the showcase outside a restaurant.

"My" bench in Eleven Park

Eleven Park is a tiny park tucked between houses and buildings near my place. I’ve written many a letter from this concrete bench. I sat there this past summer to write most of “Someplace Cool and Dark” on my AlphaSmart Neo.

Yotsuya Station, Tokyo

This photo was taken last year. Back in my Tokyo days (1988-89), there weren’t convenient signs in English letters (romaji). We had to learn hiragana well enough to decipher the station names in time to know whether to get off or not before the doors closed. Yotsuya was the place where I and my two fellow volunteers who lived out my way would transfer from the long-distance orange train to the local yellow one.

Train station in Tokyo

I forget where precisely I took this picture, but it’s a station on the Chuo Line. I remember being the last person to squeeze into a packed train one day during rush hour. I was so close to the doors that, when they closed, the front of my coat was caught and held fast between them. I couldn’t pull it out — couldn’t retreat at all, because the train behind me was full of people. I was worried that the doors on the opposite side would open at the next station, and I’d be left dangling there. But fortunately, they opened on my side next.

A friend told me the story of getting onto a rush-hour train with a dingy, dirty tote bag. When he got off the train, it was all shiny and clean. All the passengers around him unwittingly rubbed off a little of the dirt with their backs and fronts and elbows and briefcases and manga covers.


Look at all the bilingual signs nowadays! Not so back in my day, let me tell you . . . Also, now these wickets are all automated. When I lived in Tokyo 22 years ago, station employees stood at every entrance gate and punched the edge of your ticket with a hand-held punch. Most of them kept up a constant rhythm, clicking all the time, even between moments when passengers thrust tickets at them. Clickety clickety clickety click.

Tokyo, March 1989

There I am, newly arrived in Japan, doing my six-month homestay in Musashi Koganei on the Chuo Line. I was reading Stephen King’s It then, I remember. I had been using a Smith Corona word processor in the States and had not yet bought my Ricoh “My Riport” N-10 word processor. I remember having hair. I’m still using those black PaperMate pens, the best pens made. Yes, that was my first kotatsu experience (the low table, heated beneath with electric coils that glow bright red). I shared this room most of the time with my host family’s poodle, Ringo.

This has been fun! I’ll try to take a few more pictures of city landmarks soon.

October Sunset Walk

October 8, 2010

This time I’m going to go completely visual and let the pictures take center stage.

One of my favorite courses for my hour-long daily walk is one I call the "Summer Trees Course." This is a view from near the beginning.

The pictures were taken late in the day, at about the time I normally walk. I often pause at this point to peer into the trees, listen to the insects, and admire the evening light. Whatever I'm working on at the time is turning in my head.

The path leaves the first group of trees and heads into the setting sun. This is a pavement permanently blocked off from any car traffic, so kids and families from the apartment building at left often play ballgames here.

This is a look back in the direction of my place. It's a view I ordinarily see on the return trip.

Now I'm out on the main part of the course. A long, narrow park of sorts has been built along the Shinano River (Japan's longest river, which reaches the sea in Niigata City). Nice rock gardens and wooden footbridges abound here.

This evening as I passed this location just after the sun had set, a crow was sitting atop one of the rocks, silhouetted against the light western sky with willow branches beside him. It would have made a fantastic picture. I'll have to be content capturing it with words.

These log benches are ideal for lying down on. You lie in the notched part, and the raised section at the end makes a perfect pillow for your head. You can put your hat over your face, or else leave your eyes uncovered to gaze up at the shifting clouds.

Sunset approaches. Lord Dunsany wrote of "Those godlike shapes among the sunset's gold." In Japan, willow trees have ghostly connections. They're the trees beneath which ghosts appear.

Sunset on October 1st: warm, yet cooling. The sunset takes on a new character.

Beside the path, this little circular course is designed for relaxation and good health. The railed-in walkway has a variety of textures to stimulate pressure points in the soles of the feet. You take off your shoes and walk around it over inlaid rocks -- some rounded and smooth, some sharp, some rather agonizing -- and you come away a better person.

The Sunset Gate. There it is: the gate you need to go through to reach the setting sun.

The Shinano River: Here, we're looking toward the sea.

The pale sunset of October.

Briefly, the path dips away from the riverside and follows this stone wall.

Off and on over the years, I've heard the notes of the riverside trumpeter. Some trumpet player has discovered he can practice without disturbing anyone beside the river; and he can get amazing acoustics under one of the bridges. I've never encountered him close up, but I've often heard him at a distance, playing his scales and melodies across the river. In years past, I did the same with my trombone.

Scenes of solitary beauty lead one to reflect on how amazing life is: the things one is given to see and experience in our brief span of years.

This is my favorite part of the course, with trees on one side and the river on the other. The trees are dense and filled with singing insects. Fish splash at times on the river's surface. The sky is amazing.

When I was a kid, having seen JAWS at age 9, I dreamed of becoming a shark fisherman. I'd while away my days out on the sea in a little boat like this one, and I always pictured myself between battles with sharks, sitting in the cabin and reading the latest published Frederic S. Durbin novel, which, in my daydream, was a paperback with a silver cover. So I'm not sure if my fantasy was more about shark fishing or more about being a writer . . .

Walking is, for me, an essential part of writing. It's when I work things out; when I unravel those vexing problems of plot; when I begin to understand where the book or story is going.

Throughout this wonderful, hot summer, I walked this course. Since it's fairly private, I could be noisy if I wanted. I sometimes worked on my vocal impersonations -- specifically, Christopher Walken and Al Pacino. Yes, I practiced those two quite a lot in the summer of 2010.

Bobby Frost: "The woods are lovely, dark, and deep, / But I have promises to keep, / And miles to go before I sleep, / And miles to go before I sleep."

Sorry about the "Bobby." I'm still thinking like Al Pacino. The sun really starts talking once it's down.

At the very beginning of this blog, I quoted Bilbo and his thoughts about the road that "goes ever, ever on." This is a part of it.

Yes, this is the part of the road that runs along beside the Shinano. Followed far enough, it runs beside your door; and it runs to the deserts beyond Faraway; and it leads to Elvenhome.

This is a factory that makes cement. This is just about at the 30-minute point, where I turn around and head back to hearth and home. In the twilight, even this factory seems an enchanted place, with piles of rock and silent machines, with chutes and bridges and sometimes a late workman putting a saurian machine to bed.

This bridge marks the terminus; this is where I turn around. Sometimes the ghostly trumpeter plays here, though always on the far bank.

Have you ever seen such amazing colors? This, my friends, is October. October in the sky; October in the water; "October is In the Chair" (fantastic story by Neil Gaiman in FRAGILE THINGS). You know, this would be a good time to read DRAGONFLY. Does anyone have a story about how you first encountered that book? I'm thinking of the wonderful anthology titled OCTOBER DREAMS, edited by Richard Chizmar and Robert Morrish. There's a beautiful October sky on its cover, too, and its contents are the quintessential October experience.

And now the path turns homeward.

A World of Shadows

November 18, 2008

“He watched the moon sink toward the sharp treetops. Its radiance, and every sound of the night — the sighing wind, the songs of insects, the yowling things that had no identity — all these were the same, yet somehow different. He’d learned that nightmares had doors and windows that were not always shut in the daytime.

“That knowledge changed the way light fell on the land. It made the world dimmer, more shadowy, and infinitely wider.”

from “Shadowbender,” by Yours Truly (Watch for this story in Issue #8 of Ozment’s House of Twilight — see the blogroll at the right for the URL.)

“As mankind understands more and more about the world, the number of ‘monsters’ becomes smaller and smaller. . . . In a way, mankind has lost something important.”

–Isaac Asimov

It would have been a lot scarier to have lived in the pre-industrial age, before the advent of the electric light. Think about it: no streetlights, no houselights, no flickering TVs behind the living-room windows of houses on your block. No neon. No jumping into the safe cubicle of your car and flicking on the headlights. The night beyond your hearth, beyond your candle, was a well of blackness. Who knew what lurked out there, where the bandogs howled?

Ten or more years ago, I read an article by a scholar named Roger Ekirch, who seemed to be making something of a career of researching the pre-industrial night. There’s far more to the subject than you’d expect: the lack of abundant artificial light gave rise to significantly different patterns of thought and ways of spending the dark hours. (Have you heard of “the first sleep” and “the second sleep”? If you’d lived back then, you would have.) The article promised a forthcoming book, but I’ve never been able to find it. If anyone knows of such a book, I’d love to hear about it.

Anyway, to my point: monsters and shadows. (That’s generally always my point, if you look hard enough. Heh, heh!) Even in our sanitized, well-lighted world, the shadows are there, always pooling, always ready to come creeping back; and we writers of horror and speculative fiction are usually looking out for them with hopeful gazes. So I’ve got three stories for you — three stories from the edges of the dusk — three sort-of near wishful encounters with monsters.

1. Just tonight (hence, the inspiration for this posting), I was walking back to my place from the home of nearby friends at a little past midnight. It’s a November night in northern Japan — rain sluicing down at times in the cruel wind, everything shiny and wet. I timed my short journey to shoot home between squalls. As I passed the mouth of the Lavender Path (a long pathway like an alley where cars can’t pass — a place for walkers and cyclists between the backs of buildings and a little park on the right, lined on both sides by bushes and flowers in season — and yes, lots of lavender), I saw, about 20 or so feet away from me, something.

The thing was so incongruous that it stopped me in my tracks. I actually backed up a few steps to peer down the pathway and squint into the dark. “What is that?” I wondered. It was so black that I thought at first it was just a shadow; there were no details visible. But it was out in the middle of the path, where no shadows of anything else fell. And the more I stared, the more I was sure it was some substantial, upright object.

The mouth of the Lavender Path, with my bike at about the point at which I saw the "thing."

The mouth of the Lavender Path, with my bike at about the point at which I saw the

It was about the size of a large dog, but the oddest thing was that I had the impression of kangaroo-like feet or legs. That is, the oval-shaped, featureless bulk of the thing seemed raised at an angle, supported by a base of some kind that my imagination could easily construe as dog-like feet. I watched for perhaps 15 or 20 seconds, but the shape didn’t move at all. I’m fairly sure it was some mundane object blown out into the path by the fierce winds. But then again, it was about the right size and posture for a chupacabras, so I was not inclined to set foot on the Lavender Path (which I frequent in the daytime) for a closer view. I’ll try to remember tomorrow to glance that way as I pass, and we’ll see if the cloud-masked sun can shed any light on the mystery.

2. Not long after seeing M. Night Shyamalan’s The Village, a friend and I were walking to the local cineplex to see a late-night movie. The road we were taking had houses and buildings on one side and rice fields on the other. Ahead of us in the darkness, just at the edge of the rice fields, hunched a thing that looked for all the world like one of the cloaked creatures in The Village. We both had exactly the same impression: a vaguely humanoid shape stooping far forward, covered by a long cloak and a hood.

Of course, being adults and men (yeah, my friend was a guy — boring story, I know), we couldn’t allow ourselves to be too scared, but I’m pretty sure our steps slowed a little as we commented on it. We had to walk right past it (left past it) to get to the theater, so we did. It turned out to be black plastic draped over some rice-field-related implement, but even at quite close range, it looked like a hooded creature.

3. This one is in broad daylight. After some torrential rains a few years ago, I was crossing a bridge called Honsen Oohashi at the point where the Sekiya Canal branches off from the Shinano, Japan’s longest river. As I glanced down into the turbulent gray water, I saw what looked like a shiny, black, serpentine body rising up in an arch that just cleared the surface. It plunged back under, then re-emerged . . . then sank again, then reappeared . . . undulating, swimming in the central channel toward the sea. The thing was about 8 or 10 inches in diameter, at least. If I’d been looking down into Loch Ness, I would have been excited, let me tell you!

As I watched, though, I figured out what I was seeing. Either a car tire or the inner tube of a tire was floating on end (that is, upright, as if rolling), “bouncing” away down the river, now half into the air, now underwater. Shiny . . . black . . . the perfect sea monster! (As my old college friend Julie F. later said, “That’s an illustration of how a person sees what he wants to see.” Well, yeah. The Cervantes character in The Man of La Mancha says, “Poets select from reality.” I’d add that speculative fiction writers select, then reach out and give their selections a good, hearty twist.)

And you thought Hallowe’en was over!

So, my call to you, dear readers, is this: Does anyone have a similar story? Have you seen anything that might, in the pre-industrial night, have been a card-carrying monster? Let us hear of your shadowy walks and hair-raising glimpses. And if anyone has a bona fide monster story, well, you betcherboots that’s welcome, too!

I’d tell you about our monster-hunting club in gradeschool, but that’s a whole ‘n’other post!

Note to all: If you enjoy this sort of talk, be sure to read the comments on this post (below). People are writing in with some fascinating stories! Why don’t you be one of them?