Heh, heh — they’re actually maneki neko, which means “inviting cats.” But I couldn’t resist pointing out the similarity to a certain mighty landmark in Middle-earth. I’ve never seen maneki neko in a paired set like this before. Maybe as the economy gets bad, more cats are getting jobs as inviters, sitting atop roofs. . . . Seriously, in Japan, the “come here” gesture is made that way, with the palm forward and brought
down in a scooping motion — just the opposite of the Western upward scoop for “come here.” So these two cats are beckoning wealth: they’re positioned atop a booth that sells lottery tickets. People often have smaller versions of them in their homes or shops to call in people, good fortune, and prosperity.
Anyway — grrooinnk! (the sound of my changing subject) — it’s often pointed out by history buffs that the Persian Gulf War was the first war that the general public could see unfolding before their eyes, through the “miracles” (?) of television and modern reporting. Through the miracle of a blog, this is the first time I’ve finished and submitted a manuscript “with the world watching.” (Delusion of Grandeur: $25 fine.) Okay: with a few people watching, which is way more than usual. Usually writing is the most solitary endeavor in the world.
So, The Star Shard is off to my agent. That’s always a good feeling, to send something out the door. Here’s your handkerchief and your lunch, little manuscript. Take care — send a postcard! Make us proud! And yes, you can always come home. If you come home all torn and coffee-stained and sadder but wiser, we’ll welcome you back with open arms and tend to your wounds and nurse you into better health, and you don’t have to leave again until you’re ready.
Grroinnk #2: Cricket had a poetry contest in which they invited readers to write poems inspired by their favorite Cricket covers. Three of the winners wrote poems based on the September cover, that hauntingly mysterious image of Cymbril on the high ledge outside the hatchway on the Rake’s prow. You can read these and all the winners on Cricket‘s Web site (www.cricketmagkids.com). I am totally impressed by the quality of the poems these kids write! My favorite of those three is one by a girl named Amanda. (Well, I’m assuming “girl.”) I can’t post the poem here, but I can quote you some snatches of it: “A cat by her side, eyes bright and green, / Sees what the girl thinks cannot be seen.” And how about this? — “A stone to her forehead, magic inside; / An elf on the other end, linked to her mind.” Very cool stuff — and so humbling to think about the reality of it: young readers drawing artwork and writing poetry based on Emily’s illustrations of my story. “Who am I, Lord?” Again: Soli Deo gloria!
By the way, that picture (Cymbril on the high perch, with the night mists and the swooping owls) is available as a poster in two sizes through Cricket‘s Web site. Yes, I have my own framed copy!
Grroooiiinnk #3: Thanks to the engaging discussions you’ve all taken part in, the blog has broken its own record for visits in a single day this past week — thank you all for being here! A blog is the one aspect of the writing life that isn’t lonely! (Maybe that’s why everyone recommends them….)
Grrooinnk #4: Awhile back, a good friend recommended to me a film called Cannibal, the Musical. I finally got around to tracking down a copy and watching it. Oh . . . wow! I have not laughed so hard in a good, long while. It is absolutely hysterical — brilliantly done, and probably not like anything you’ve ever seen. A few warnings are in order: as you can gather from the title, it’s probably not for most children. The guys who made it are the guys who also did South Park, if that tells you anything. There is some language, some simulated gore, and . . . well, some cannibalism. But anyone who grew up with Monty Python will laugh so hard at Cannibal, the Musical that s/he’ll have tears streaming down his/her face. (Whew! What an awkward sentence!) Just to give you a hint of what you’ll encounter: in one scene, the prospectors and the fur trappers nearly come to blows over precisely what key a song is in. And you’ll see the most suspicious Indians you’ve ever seen: “What? Don’t you think we are Indians? But loooook at all these teeeeepeeeees! We have teeepeees because we are . . . Iiiindiaaans!” (They’re actually extremely Japanese, with names such as Junichi and Tomomi.)
And one more warning: you’ll have some catchy songs stuck in your head for about a week. But I’ll say this: this is one worth owning, not just renting, because you’ll want to watch it over and over.
Okay, that’s it for now — talk to you soon!